g.
2023-24
An as-yet undefined metonymy, a deep purple fabric emerges as a point of connection with the viewer. Through its recurring presence and shifting forms across the images, it establishes a silent, persistent relationship.
Like a fetish object, it enables and secures the existence of a link — g. thus questions how the representation and spatial occupation of fetishized signs can generate systems of control.
What happens when the representation of signs ceases? How can we depict the final moment between representation and oblivion?
g. explores the transition from visual accumulation to acts of memory — and how signs become distorted over time.
Extending the photographic language, a spherical installation offers an embodied experience of this memory distortion. Images from the photographic series are projected in fragmented and warped ways within the structure.
Resembling a child’s night light designed to ease the passage into sleep, a rotating hollow sphere — mirrored at its core — diffracts light onto surrounding walls, ultimately playing with the altered perception of images once they become associated with memory.
Series of 15 photographs and a projection-based installation.